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Contact Information John Kenneth Fisher johnkfisher mac. Run time Sound sound. There are no reviews yet. Sign up for free Log in. The lion in winter Item Preview. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! There are no reviews yet. Be the first one to write a review. Books for People with Print Disabilities. Internet Archive Books. Stroud, Gloucestershire. ISBN OCLC Academy of Motion Picture Arts and Sciences.
Retrieved October 23, Retrieved June 3, Directors Guild of America Awards. Archived from the original on June 3, Retrieved 8 August New York Film Critics Circle. Writers Guild of America. Archived from the original on Retrieved Writers' Guild of Great Britain.
Academy Film Archive. Wikiquote has quotations related to The Lion in Winter film. Films directed by Anthony Harvey. Awards for The Lion in Winter. The Informer Mr. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons Wikiquote. Theatrical release poster. The Lion in Winter play by James Goldman.
Douglas Slocombe. John Bloom. John Barry. United Kingdom United States. Best Picture. Best Director. Best Actor. Best Actress. Won [a]. Best Costume Design. British Academy Film Awards. Best Actress in a Leading Role. Best Actor in a Supporting Role.
Best Screenplay. Best Cinematography. Best Film Music. Chris Greenham and Simon Kaye.
The lion in winter 1968 free download.The Lion in Winter ( film) - Wikipedia
Hopkins' hapless Richard is the most sympathetic of the three sons, with his humiliation when Philip maliciously reveals that Richard is a homosexual the first time this trait was revealed in any film about Richard the Lion Hearted. Terry's John is properly "pimple faced" and immature on the surface, but showing when he betrays his father that two-faced ability that would lead to his disasters as King.
Castle is properly sinister throughout - one realizes that both parents will not suggest him as heir because he'd kill them as soon as he could safely plan it out afterward. Dalton's Philip is galling to O'Toole, as he keeps showing that unlike his father he knows how to harm the British monarchy - by disgracing it's leading hero Richard , and by simply waiting for time to take it's toll on his enemy Henry.
And Merrow is the most sympathetic figure in the film, genuinely loving Henry but finding even he regards her as a dynastic pawn in the end. The movie was that rarity, a sequel as thoughtful and intelligent as the first film had been, and filling in the results of that first film's background and story very well indeed.
That is, she's elderly and he's young. Maybe it was an allusion to the growing generation gap in the world at the time. But anyway, this is what epic tales of royalty are supposed to be. It shows Henry's conflicts in wondering who will succeed him.
Never dragging, the movie truly gives one the feeling of being with these people and understanding their lives. One of the most interesting scenes - in my opinion at least - is when Eleanor says something about sex.
I usually wouldn't expect someone of Katharine Hepburn's generation mention sex in a movie. But she does a great job here well duh. Also starring are a very young Anthony Hopkins and an even younger Timothy Dalton.
Adapted by Oscar-winning James Goldman from his witty, triumphant Broadway play that originally starred Robert Preston and Tony-winner Rosemary Harris, the story evolves around aging King Henry II mulling over a successor to the Plantagenet throne among his male progeny, while bringing his estranged, hateful clan together for the Christmas holidays.
Sparks really do fly in this wickedly elaborate chess game as the family player pieces weave thick webs of deceit and hatch insidious plots against each another, forming unholy, protean alliances that put those "Survivor" contestants to shame. The pure joy comes from seeing all of them try to outmaneuver each other with every new and different playing piece put on or taken off the board, hatching alternative schemes as fast as one can say "Long live the King!
The glorious O'Toole is alternately barbarous and bombastic in one of the best roles of his career, and his loss of the Academy Award over, of all people, John Wayne, remains a travesty of justice. The king's "brood" includes eldest son and heir-apparent, Richard known as The Lion-hearted whose fierce courage and burly warrior stance masquerades a forbidden tenderness detrimental to his standing as a king.
Anthony Hopkins, in an auspicious screen debut, embodies these tortuous complexities within Richard perfectly, especially in his scenes as "mummy's favorite. Neglected middle son, Geoffrey, excellently portrayed with jaded, sliver-eyed cunning by John Castle, is a human blueprint of treachery and deceit.
Resentful at being overlooked as even a possible contender, he's willing to sell his parents and brothers down the river for exact change. Also invited to Christmas court is King Phillip II of France, on a revenge mission himself, who locks horns with Henry over lost lands and becomes a willing participant in these under-handed games.
Timothy "" Dalton drips with smug, venal charm as the slender, softer, inexperienced king who can only battle Henry with words and wit, not weight. The only unblemished pawn here is Alais, the King's adoring young mistress, who is maliciously thrown to the lions by all as lady-in-waiting bait for the dueling princes.
Demure, fragile Jane Merrow is the perfect choice for this innocent songbird with nothing and everything to lose I have saved the best performance for last. As the King most duplicitous irritant, the inimitable Katharine Hepburn portrays Henry's duly banished Queen Eleanor of Aquitaine with all the unparalleled skill and inspired passion imaginable. Handed on a silver platter the lion's share of the best lines, Hepburn more than delivers the goods here, stealing the ripe proceedings from her talented co-stars.
To watch her consummate Eleanor is to see the art of acting in its most passionate form. She is a revelation of perks and prods, of vibrant colors and shadings. She inhabits the passion, the power, the breeding, the deceitfulness, the desperate longing owed this character. Imprisonment for inciting rebellions against her husband , has not dampened the fighting spirit nor dulled the sharp, calculating mind of this Queen. As in chess, this player is the game's most venturesome and versatile piece, and Hepburn more than lives up to its reputation, a worthy opponent with the best odds to check-mate her King.
I have been known to say that the four-time Oscar winner was awarded for all the wrong movies -- excepting this one. She is unforgettable. Topped with a glorious, inspiring, sometimes furious score Oscar-winner John Barry , "The Lion in Winter" makes up for its stark, one-note surroundings with its bold, rich characters and ingenuous plotting. It is a hallmark of Gothic temperament and tone. As the old adage goes, "it's not who wins, it's how you play the game.
So let the games begin! A-Ron-2 11 July I love this film. I am not sure that I can say that phrase enough when describing this movie. Lion in Winter is quite simply one of the strangest and most beautiful movies that I have ever seen. It is some wierd amalgam of a 'home for the hollidays' type family drama, and Machiavellian political intrigue.
The essential plot is that it is and Henry II must declare his successor to the Plantagenet throne. He invites his wife, Eleanor of Aquitaine played by Katherine Hepburn , who is in exile, and his sons to along with king of France, to Christmas dinner.
Over the course of the evening truths are told and arguments are had, the film rolls over all of the conventions of the many genres that it plays with and turns them into something new and beautiful. The film could have been written by Machiavelli himself, and often smacks of the Mandragola. The film demonstrates family disfunction within a very interesting, medieval paradigm.
While the film is about issues such as family, loyalty and love, ultimately is most gratifying as a vehicle for O'Toole and Hepburn to chew the scenery and dig into a few truly juicy roles.
It is fantastic film that any lover of dialogue driven drama-comedy should rent and watch over and over again. AvhHines 3 August How lucky can you be to get a script like this and a cast like this all in the same movie?
I've been shocked at some of the negative comments by other viewers. I was quite young when the movie came out, and didn't realize for years that Peter O'Toole wasn't the fifty year old he was playing, and Hepburn was exactly Eleanor's age at the time, so I fail to see the age mismatched some have mentioned.
I'm fifty myself now, and I still find O'Toole perfectly plausible as a fifty year old in this movie. What a gorgeous man! As for the 'anachronistic dialog,' it was extremely intentional and would have been totally wrong without it.
To our ears, the possibly more elegant speech of the period would have sounded unnatural; only by using modern language could these people sound to us as they would have sounded to each other - normal. The acting is brilliant - it would have been very hard to find any other actor who could share a screen with Hepburn without fading away to nothing, or an actress who could have done the same with O'Toole - only two of such power could stand up to one another. And this was absolutely right for these characters - as best we know, Henry and Eleanor were both that kind of person - brilliant, witty, strong-willed powerhouses.
Then the supporting cast: Hopkins, Castle, Terry, and Dalton. Granted, they weren't known at the time, so Harvey, the director, may not have realized right off the bat that he had the cast of a lifetime, but he surely must have realized it fast.
Then there's the script. Like most of Oscar Wilde's plays, you could pick it up, open it to any page, and find at least half a dozen quotable lines.
People don't speak in real life as they do in Oscar Wilde either, but it's enjoyable as hell to watch. Get over it!
Some things I love about the movie are that it's made clear that no matter what Henry tells Alys, Eleanor, or himself for that matter, his real love and true equal is always Eleanor, just as he is hers. And you can tell that with this bunch, nothing ever will change unless it's due to factors out of their control, like death. A matter of slight historical correction to other user comments: Alys was legally betrothed to Richard; that's why she'd been raised by Eleanor.
A historical correction to the script is that John, while thoroughly detestable personally, was not at all stupid, sniveling, or whining; his actual character was actually far closer to that of Geoffrey's in the script. Very little is actually known about the historical Geoffrey except that he was actually, if anything, more of a warrior than Richard, and of course, he died quite young, leaving behind two children, the son being the legal heir to Richard, and who died at the age of twelve or so, ostensibly of disease, possibly in reality of John.
This wasn't considered that bad a thing, btw, as no one wanted a child as king, and John was the only one of the whole bunch who'd spent most of his life in England itself. The English nobles had seriously resented both Henry's in his later years especially, as he tried to carve an inheritance for John out of Europe in general, France in particular and Richard's neglect Richard had barely set foot in England in his entire life, and was utterly indifferent to it except as a source of revenue.
Also, of course, there's no historical evidence for an affair between Henry and Alys EXCEPT that I've read at least one source suggesting that Richard used this as an excuse to not go through with the marriage itself. Bastards of royalty were a dime a dozen in those days, but NONE are attributed to Richard, nor a whiff or rumor of any affairs he ever had.
Both Henry and John, on the other hand, would chase anything wearing a dress, and this was considered perfectly normal and even admirable in a "bad boy" sort of way.
However, John took it too far, resorting to rape and starvation of wives of political enemies, and this was one of numerous driving forces for the imposition of Magna Carta on him by his rebelling nobles.
Ironically, by contemporary standards, at a national level John was a far better king than Richard Henry at his best was better, but was too often not at his best, being too bent on conquest to bother to rule effectively what he already had. However, John was nonetheless personally a rather nasty man to put it mildly , once again proving that the best men don't necessarily make the best rulers.
His personal character and actions, more than his policies, drove his own nobles into nearly successful rebellion, resulting in Magna Carta, one of the great steps in English history.
Sorry for boring you silly with the history commentary - it's a period I've always found particularly interesting. You can wake up now; I'm finished.
Anyway, great movie in every sense - script, acting, score, cinematography, editing; it just doesn't get better than this. What were those Academy fools thinking?! They ignore a powerhouse performance by Peter O'Toole and trounce Anthony Harvey's inspiring direction!
But the final indignity was in giving the best picture award to an over-praised, undeserving, insignificant musical called OLIVER! It only goes to show the Academy's just jealous. The script and Kate's performance at least were given the royal treatment but it still leaves bitter resentment when Cliff Roberston, one of Hollywood's most less-than-adequate actors cops the best actor away from O'Toole Hepburn's Eleanor of Aquitaine had witty lines, quiet but still present anger and fire underneath the surface but O'Toole as Henry II gave the more powerful performance To coin a phrase from the British Henry II is on the throne and has ten years earlier imprisoned his wife Eleanor of Acquitaine after co-conspirating a civil war against him.
She and their three sons Richard, the eldest, a brave warrior on the battlefield, whom Eleanor wants to succeed Henry as king; Geoffrey, the quietly vicious, unappreciated middle son of whom neither of them love with a plot for every occurrence and John, the piggish, dirty, thieving brat is their youngest whom Henry for some unknown reason wants on the throne are all requested to appear at their palace of Chinon for the Christmas holidays.
Philip wishes to have Alais mearried off to one of Henry's sons preferably Richard in order to form an alliance between England and France made between Henry and Philip's father, the late King Louis. But meanwhile, Philip is also plotting with all three boys and Eleanor to tear Henry's kingdom apart. Eleanor is merely in on it to get back at Henry for loving Alais whom she had raised as a surrogate daughter and the late Rosmund, an old rival of Eleanor's whom Henry replaced her with.
This film has it all: infidelity, betrayal, family dysfunction and a script that crackles with venom, wit and plot-twisting motivation. See it if only for O'Toole and Hepburn's first-rate performances. Xstal 9 September Want more? Advanced embedding details, examples, and help! There are no reviews yet. Be the first one to write a review.
Books for People with Print Disabilities. Internet Archive Books. Academy Film Archive. Wikiquote has quotations related to The Lion in Winter film.
Films directed by Anthony Harvey. Awards for The Lion in Winter. The Informer Mr. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons Wikiquote. Theatrical release poster. The Lion in Winter play by James Goldman. Douglas Slocombe.
John Bloom. John Barry. United Kingdom United States. Best Picture. Best Director. Best Actor. Best Actress. Won [a]. Best Costume Design. British Academy Film Awards. Best Actress in a Leading Role. Best Actor in a Supporting Role. Best Screenplay.
Best Cinematography. Best Film Music. Chris Greenham and Simon Kaye. British Society of Cinematographers. Best Foreign Production.
Outstanding Directorial Achievement in Motion Pictures. It appears your browser does not have it turned on. Please see your browser settings for this feature. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! Topics The Lion in Winter , Comparisons.
Contact Information John Kenneth Fisher johnkfisher mac.
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